Chapter 37: Fields of expression

My own form of embodiment; can be understood through an idea of expression fields–

What are expression fields– We are on some level very familiar with them– It is like a chart, or a graph; where by one side of a square is labeled with one quality, and the other side is labeled with another... and depending on where we mark the data, something between the two is expressed–

Now, imagine creating a room, where the entire room was labeled with qualities on the edges– And our own body, had different markings throughout it– And, as we move through the room, we are able to express things that move beyond the realm of normal language– That is, the body begins to reflect the meaning to our mind more directly then words–

A field expression; is like coming from a timeless state; and coming into a sense of time... And as we come into this sense of time, the manner in which we become manifested, declares the qualities of the room– When we appear in physical reality, these symbols exist throughout the land; however, they have always existed in the land... And so, it is not a matter of pointing out the symbols, but moving through the symbols in a way that discusses who we are in a higher language–

That is to say, when you are conscious of what the symbolism represents around you in terms of qualities– Then your movement, is what clarifies the connection between these symbols; and as such creates a focal point (the body of expression), that becomes connecting to the peripheral and brings it in consciously as a part of the focal point–

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Hey, so let’s say there is a room with a mythical story behind it–

Now let’s say it was like interpretive dance; so, rather than saying in one corner of the room is one quality... It is all qualities of the room, but how we pose, is like lightning strikes to the outer edge, that is, we illuminate fibers of the story–

You know it is very subtle, we could stick our butt in the air; and illuminate a whole part of the story very specifically– Then we can wiggle our butt and make that myth shimmer... Then, whatever the next pose is, will tell us how we go from that part of the story to another part of the story– You know it is dynamic and fluid, and yet stable and solid– It is not so much that we must be in certain positions to tell the story, but who we are in that story to point to the conditions– So, you can tell the whole story, from one corner of the room.. but the way you say that story will be declared by that corner–

You can go to another corner, and tell the same exact story; but the form it comes in will be declared by that corner– you know, it’s all part of the choices you make; where you are influences how you can tell the story, and that is what turns yourself; into that story to be told–